With some of the most surprising and imaginative levels in the series so far, Hitman 3 may feel largely familiar to its two most-recent predecessors, but just thinking of the hours upon hours of chaos, carnage, and cruel comedy that each of its six outstanding new maps will produce makes me giddy.
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This final chapter of IO’s ‘World of Assassination’ trilogy that began with 2016’s Hitman might be better thought of as an expansion than a sequel. If you’ve bounced off Hitman before – particularly in the last five years – know that there’s been no big reinvention of the bald bloke’s blueprint in Hitman 3. The interface and controls have remained consistent in their stiffness, and the range of uses for your weapons and items aren’t drastically different, either. The most notable new toy in Hitman 3 is a camera which can be used to hack or examine switches and items, which is handy but not really a game changer.
[poilib element=”quoteBox” parameters=”excerpt=All%20six%20of%20Hitman%203%E2%80%99s%20beautiful%20and%20strikingly%20well-lit%20levels%20are%20amongst%20the%20strongest%20of%20the%20series%2C%20so%20much%20so%20that%20it%E2%80%99s%20hard%20to%20pick%20a%20standout%20favourite.”]The true strength of Hitman 3, then, is found in its maps. All six of Hitman 3’s beautiful and strikingly well-lit levels are amongst the strongest of the series, so much so that it’s hard to pick a standout favourite. Things get off to a fairly stunning start, with 47 parachuting onto the world’s tallest building in Dubai and infiltrating its opulent interior, but that high bar is maintained throughout. The follow-up mission is a nod and a wink to Contracts’ Beldingford Manor map and takes 47 to a similarly massive UK country manor where one entertainingly ironic route to killing your target involves posing as a detective who’s there to solve a murder on the property. From there it’s off to a massive German rave for a mission that oozes atmosphere and puts an interesting twist on hunting down your five targets amongst the throngs of sweaty, 24-hour party people, and then to Chongqing, China, where the glow of neon lights, the reflections in the soaked streets, and the trickle of rain down 47’s jacket combine for perhaps the most visually impressive mission of the series so far. The next stop is an Argentinian vineyard that reminded me of Blood Money’s excellent A Vintage Year map, only vastly bigger; then the finale is a fabulous surprise unlike any Hitman mission to date, and one which I sincerely hope isn’t spoiled for you.
It’s tricky to speak about these locations in too much detail without ruining the thrill of strolling through them and revealing massive new areas you had no idea existed, but these environments are truly some of the most memorable and remarkable maps IO has ever created – from the intimidating verticality on display while perched on the outside of the highest skyscraper in the world to the rustic charm of Thornbridge Manor. I’m equally hesitant to reveal the quirky assassination opportunities they contain but I will say Hitman 3 contains both the funniest and the most complex Hitman kill I’ve ever played – and at least one of the most-dastardly – and there are still many I haven’t got to yet. Yes, a lot of the kills are gentle remixes of ones that have come before, but they’re still cleverly built up.
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A Wolf Among Sheep
As always, the slow-burn thrill of these games comes from planning, patience, and hiding in plain sight. The key to success is finding the perfect disguise for exploration, listening and looking for opportunities, and getting the timing just right to pull off the perfect crime and escape unseen. It’s an unapologetically single-player experience that rewards rational thinking over rushing, although it is flexible enough to cater to both extremes: those who prefer to follow the multilayered mini-stories playing out within the levels to make invisible, surgical strikes and disappear without a trace, and those who like to improvise and leave behind piles of dead and unconscious men in their underpants stacked like cordwood.
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You can get away with all of this because the often hilariously naïve AI is still easy to exploit as ever. Of course, tricking the dopey guards and civilians with unexpected distractions and suspicious items has emerged as such a fundamental part of the puzzle solving in the current Hitman trilogy, and I’ve actually grown to love these dumb bastards over the years. These folks won’t even blink an eye at a severe-faced stranger who’s wearing the clothes of a man they’ve very recently had a conversation with and, while that does rob stealthy victories of believability at times, this kind of suspension of disbelief is simply necessary for Hitman to function. As grim as the murder-for-hire premise seems on the surface, this has always been a cheekily self-aware series that relishes in a general degree of silliness and gallows humour.
[poilib element=”quoteBox” parameters=”excerpt=As%20grim%20as%20the%20murder-for-hire%20premise%20seems%20on%20the%20surface%2C%20this%20has%20always%20been%20a%20cheekily%20self-aware%20series%20that%20relishes%20in%20a%20general%20degree%20of%20silliness%20and%20gallows%20humour.”]These great levels are linked together by the conclusion to the limp story arc that kicked off in 2016. While this hackneyed story of competing shadow organisations is unlikely to have Netflix power brokers sprinting to the nearest chequebook, it’s nice to have it wrapped after five years – even if it’s been entirely inessential to my enjoyment of the levels themselves. Now, at least, we’ll be able to move on to something that’s hopefully a bit different.
Greatest Hits
The biggest advantage of there not being any revolutionary changes in Hitman 3 is that owners of Hitman and Hitman 2 can carry over their levels and progress to Hitman 3. There’s a certain tidiness to rolling the trilogy into a single product that I really like, and I admire IO’s commitment to keeping the previous games’ content alive like this.
On Xbox Series X this is mostly seamless; as an owner of both previous Hitman games on Xbox One, Hitman 3 was automatically augmented with all previous maps, although the progression carry-over functionality wasn’t operational for me at the time of review. The PC situation is hindered somewhat by the shift from Steam to the Epic Games Store, though IO Interactive has gone on the record that an import feature will be available within weeks.
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It’s also proven to be a little unruly on PlayStation 5. Despite having both previous games installed, Hitman 3 is directing me to further downloads to allow access – neither of which are available at time of review.
The lack of native support for PSVR on PS5 also meant I had to download and install the PS4 version of Hitman 3 alongside the PS5 version, which is a bit of a messy solution – but that’s really on Sony rather than IO. For its part, IO provides a free digital copy of the PS4 version to all who buy the PS5 version so nobody misses out.
When you get it up and running, Hitman in VR is worth a dabble if you own a PSVR, though really only to experience its general slapstick goofiness first-hand. You have to play with the DualShock 4 because the Move controllers just don’t have enough buttons and, while it can generally handle melee attacks, the shooting experience is really quite cumbersome, imprecise, and irritating as a consequence. The end result is a system that winds up marooned halfway between full motion controls and traditional controls – which I found regularly brain-bending and occasionally stomach churning. There’s no denying that getting access to all of Hitman and Hitman 2’s levels in VR is incredible value – and it’s a novelty feeling as if you’re truly inside these levels – but it’s janky, primitive, and really not the best way to play.
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